PRESS
BOHÈME OPERA NJ
Carmen
MERCÉDÈS
"entertaining"
"particularly showing vocal prowess in the second act"
TOWN TOPICS
"Erin Rosales was especially expressive and vocally on point"
U.S. 1 PRINCETON
BRONX OPERA COMPANY
Lady in the Dark
MISS FOSTER
"Other delights included mezzo-soprano Erin Rosales, who simply oozed charm and energy as flirty secretary Miss Foster."
PARTERRE
DEATH OF CLASSICAL
Dido & Aeneas
SECOND WITCH
“Alyssa Martin and Erin Rosales, comical yet deadly Witches”
THE WALL STREET JOURNAL
“As her two witchy minions, Alyssa Martin and Erin Rosales imbued their roles with humorous swoops and cackles.”
CLASSICAL VOICE AMERICA
“The unfortunate Trojan Prince Aeneas is led astray by a Sorceress (Vanessa Cariddi) and her two witches (Erin Rosales and Alyssa Martin) who reminded us of nothing more or less than Macbeth’s “weird sisters”. We never find out why they have it in for Dido but they do. They employ base trickery to fool Aeneas into believing that the gods want him to go to Italy and establish Rome. And they do this with intensely valid vocalism”
VOCE DI MECHE
“Her attendant witches, who conjure storms, and delight in trouble, were sung by Alyssa Martin and Erin Rosales with all the wicked mirth and eldritch hand jive that could be desired, plus twiggy headdresses that would pass nicely as club wear.”
PARTERRE
“Alyssa Martin and Erin Rosales were vocally well-matched and gave delightfully wicked performances as the two witches.”
OPERAWIRE
“Accompanying her were the very audacious and delightful Alyssa Martin and Erin Rosales. They displayed their talents as witches as though the parts had been made to be cooked in their cauldrons alone. They are singers and performers with a fabulousness of the best effects performed in the majestic tombs which house early New York Dutch settlers of the Van Rensselaer family. Unique and enchanting Angels Share impresario Andrew Ousley presented another spectacular performance for lovers of the otherworldly.”
MEDIUM
NAXOS AMERICA
The Great God Pan
AUSTIN
"Mezzo Erin Rosales is a remarkably agile singer"
FANFARE MAGAZINE
THIRD EYE THEATER ENSEMBLE
Sumeida's Song
ASAKIR
CHICAGO PREMIERE
"Erin Rosales brought fearless intensity to the bitter, unhinged Asakir, a kind of Mommy Dearest of the desert. The young mezzo-soprano threw herself into the demanding role singing with volatile commitment."
CHICAGO CLASSICAL REVIEW
CHICAGO SUMMER OPERA
A Midsummer Night's Dream
HERMIA
"Other highlights are ... Erin Rosales's creamy-voiced Hermia"
CHICAGO STAGE STANDARD